Pichismo / Victimised / Кариес / Свиньи В Космосе – Партизаны Бетонных Джунглей Split Tape 2000

 3-way split.

ZAGOVOR - Soviet punk compilation (bootleg)

 Soviet punk bands from 80´s/ 90´s

https://www.mediafire.com/?nmyydzzm244

Soviet mixtape playlist:

1. mi sjadem na tanki / ADOLF GITLER

2. rejgan provokator / AVTOMATICHESKIE UDOVLETVORITELI

3. rukoyatka / CHIMERA

4. serij golub / ZVUKI MU

5. totalitarizm / GRAZHDANSKAYA OBORONA

6. vintovka eto prazdnik / GRAZHDANSKAYA OBORONA

7. budushego net / INSTRUKCIJA PO VIZHIVANIJU

8. opredeljonnije / MATROSSKAJA TISHINA

9. deklosirovannim elementam / YANKA

10. epidemija sili / NJURNBERG

11. na blazhennom ostrove kommunizma / KOMMUNIZM

12. novobranci / ARMIJA VLASOVA

13. tretij reih / ADOLF GITLER

14. trezvost / BRIGADNIJ PODRJAD

15. zagovor / GRAZHDANSKAYA OBORONA

16. zoopark / POSEV

17. davaj vojnu / PIZHEVIJE OTHODI

18. radiodiversija / AUKCION

Source: https://www.maximumrocknroll.com/soviet-mixtape/

Marina Revue – Sikoly A Mából

 

MARINA REVUE - maďarský 80´s hard core punk.

https://www.mediafire.com/?jylzhufzzhx

Никога преди смъртта не гледам миражи за успокоение – Миражи за успокоение (1995)

 Bulharský post punk

Отказ От Насилия / Посадил Дерево / Cita Attieksme / Skygrain – We All Are Positive Tape (1999)

 

Various artists, HC bands.

Напрасная юность

 

Punk rocková skupina z Volgogradu.

Songy: 

https://www.gruppasssr.ru/napunost/napunost_budem_zhdat.mp3

https://www.gruppasssr.ru/napunost/napunost_kretin.mp3

https://www.gruppasssr.ru/napunost/napunost_happy_end.mp3

https://www.gruppasssr.ru/napunost/napunost_my_eshe_zhivy.mp3

https://www.gruppasssr.ru/napunost/napunost_elektricheskii_pepel.mp3

Source/zdroj: gruppasssr.ru

Последние Танки В Париже / Напрасная Юность – Split Tape 2000

 

Posledné tanky v Paríži / Naprasnaya Yunost

Perestrojkový punk.

Источник: https://www.gruppasssr.ru/N/napunost.html

Check also: https://muzika-komunika.blogspot.com/2013/01/poslednie-tanki-v-parizhe-devstvennost.html

Химера – Live In Moscow, TaMtAm & Other Places ℗ '93 XX C. Tape 1994

 

Túto kazetu som si kedysi kúpil poštou. Teraz som ju na svoje prekvapenie objavil na You Tube.

ЕРМЕН АНТИ & АДАПТАЦИЯ — «МАССАРАКШ» (2025)

 

Punk rock z Kazachstanu.

http://ermen.antimusic.ru/audio/ermen-anti-adaptaciya-massaraksh-2025

Pozri aj: http://muzika-komunika.blogspot.com/2024/11/adaptatsiya-punk-from-kazakhstan.html

Turbo Reanimacija - Klausyti Garsiai; demo (1992)

TURBO REANIMACIJA 

HC/punk z Litvy.

http://smurfpunx.com/files/Eastern-European%20bands/Lithuanian%20bands/Turbo%20Reanimacija%20studio%20part%201.MP3

http://smurfpunx.com/files/Eastern-European%20bands/Lithuanian%20bands/Turbo%20Reanimacija%20studio%20part%202.MP3

Source: Great blog https://brobtilttapes.wordpress.com/

Invazija – Pakeisk Spalvas Tape 1997 (1998 Reissue)

INVAZIJA - HC/punk z Litvy.

Thanx to 19x04 to uploading great music.

Группа ЗУБЫ (video, music)

 

ZUBY

Ruská punková kapela z Nalčiku, z Kabardino-Balkárskej republiky.

https://youtube.com/playlist?list=OLAK5uy_k1oUfygedoKRT4b1VTJ487dbv3OU3eW_g&si=D_yoyKNuyzcsQ-J1

 

Витамин Роста – Демонстративность Tape 2000

 

VITAMIN ROSTA - punk z Tatarstanu, Rusko.

Pozri aj: https://muzika-komunika.blogspot.com/2017/03/zuby-vitamin-rosta-1-underground.html

TUPRAKTICON´S / Тупратикон'c - " сборничек"

 

TUPRAKTICON´S - punk rock z Taškentu, Uzbekistan.

Check: 

https://muzika-komunika.blogspot.com/2022/10/interview-with-askar-urmanov-band.html

https://archive.org/details/tupraktikons

Паучок Ананси - "Cartoon Tendencies" - 1993

 

Punk z Uzbekistanu.

Паучок Ананси - "Три шизофреника, не считая собаки" 1991 год (панк), Ташкент

 

Punk z Taškentu, z Uzbekistanu.

Info o uzbeckom rocku: https://uzrock.net/Groups/groups.html

Otkaz ot nasilija - Pseudoprogress (1998 tape)

 

OTKAZ OT NASILIJA

Dis-punk/crust-punk zo Novosibírskeho regiónu.

https://disviolence.bandcamp.com/album/pseudoprogress-1998-tape

Отказ От Насилия – "Псевдопрогресс" '98 / "Прямая Линия" '99 Tape 200

 

OTKAZ OT NASILIJA (alias Disviolence) - ruská dis/crustpunková kapela z Novosibirskej oblasti.

https://disviolence.bandcamp.com/album/pryamaya-liniya-1999-tape

Hajnalig Sztriptíz - Hogyan Ügyesen (1994)

Maďarský alternatívny rock.

https://youtube.com/playlist?list=OLAK5uy_kQfO9WoTS9oyI4rgREY-tTK-icTh0zAns&si=g_slLCaW7wI8IsdY

Interview with Dušan Hedl / CZD (pt.I) 2025

 

CZD ("Center Za Dehumanizacio" or "Center for Dehumanization in English") is a Slovenian alt/punk rock band formed in 1984 in Maribor. The band soon developed its own variation of punk rock music, characterized by a strong leaning towards experimentation. Integrating and adapting various genres including industrial, electropop, a cappella and hardcore punk, CZD are also known for their lyrics and strong stage presence. In addition to music, the group is also active in other artistic fields, having worked and collaborated (as individuals and as a group) in writing, video art, political activism and cultural infrastructure; they have made a significant contribution to the Slovenian cultural scene (especially that of the Northeast) over the past three decades.

Interview with Dušan Hedl/CZD (pt.I)

Mišo/M:

Dušan/D:

M: Hi Dušan, tell us briefly about yourself and what you are doing today? What is your job?

D: My colleagues and I work in the book publishing house Kulturni center Maribor (https://zalozbaknjig.com/) . This publishing house is becoming an increasingly important player inSlovenia's otherwise small book market of 2 million inhabitants. The main book stock isFrontier, which has been in existence for more than 30 years, and another extremely important collection isZnanstvena monografija (Scientific Monograph), which helps young educated people in their careerspath. Kulturni centrum Maribor also has a music publishing house, namely 4 sub-publishers.punk rock and garage rnr, which has been operating since the mid-1980s, Monofonika, which publishesprogressive electronica, mostly recordings of ex-Yugoslav bizarre electronic music (compilations ExYu Electronica), founded in Yugoslavia by the legendary multiperformative artist MarioMarzidovšek and Akord record, which releases ethno, world and pop music, and Classica Slovenica for classical music.

M: You have been working in the cultural field for 40 years, what do you still enjoy?

D: Tell me, who likes to work? But it's easier if you started out and did what you played with in your youth and made a living at it. To survive in the cultural scene, especially independently, as I've always led itindependent organizations, is extremely difficult. The EU is well on its way to destroying independent cultural scene and thus destroy creativity, EU money for cultural activities is only spent by elite people.I've enjoyed it less in recent years as I've had to invest all my time in running a publishing househouse if we wanted to survive, and I have neglected my musical (CZD - Centre for Dehumanization,Punkappella, Kloopotec, Studenstsko delavski rock teater v opposiciji) and art projects (Pop art,paintings, avant-garde collages,... ) and writing for media and book publications. We try to be as in the Maribor Cultural Centre team as professional as possible, which means that for rational investment we offer artists satisfactory publishing services.

M: Slovakia is a relatively small country (a country with half the area and population). How are youdid you discover punk in the 80s? What were your main sources? I was lucky enough to see PANKRTI live in Belgrade at a concert in Kalemegdan in 2010. Which bands were essential for you?

D: Do you think Slovenia has half the population of Slovakia? Yes. Even before punk, I was deeply interested in music, as a primary school pupil I listened to glam rock, then everything from Paco de Lucia to classic rock, electronica and folk music, everything the world market has to offer (from movies, comics, music,....) to be blind to reality. But in the mid-70s I always wished to live in the 50s, when music for the young people was exciting, thrilling, or so I thought, because I didn't know the 60s well then and the hippie movement was too slow for me and the philosophy of drugs never appealed to me. I also a kid from the countryside and the city (Maribor) was a frustrated hippie quasi-philosophically stressed out, positions in the pop culture business were already taken, concreted, positioned... so punk was like an order for a young person to come up with something "peculiar"... I've since I've absorbed everything I can from the media. I used to buy the NME (interestingly, you could buy the NME in Maribor from a street vendor selling newspapers), I read all the music magazines, on Austrian television we could watch, because I live on the border, we saw the records quite quickly seen records by Sex Pistols, Clash, etc.... we were ordering records from London, etc.... then it was just a matter of time before we formed our first bands (Masaker), we started corresponding with other punks all over the world and in the former Yugoslavia. I remember the letters of Satan Panonski ("Why am I in jail?, because of the murder...")...

M: Czech and Slovak bands are represented on the compilation Various - No Border Jam 3. Do you remember how you got in touch with the bands ZÓNA A and JESUS UNDERGROUND BAND?

D: I don't even remember how we met, but it was a big international fanzine correspondence scene. I think it was the early days of the internet. Jesus Underground was a great band in particular, imagine the fantastic name of the band. They played at one of the first No Border Jam festivals, which I organized in Ormoz (together with the Unterhund club). The band Jesus Underground came back to us later and invited us to a festival in Slovakia near Banská Bystrica, a great place on a nearby mountain. At incredible place. CZD, Pridigarji and Delaware played there. Later, the No Border Jam festival moved to the Pekarna cultural centre in Maribor, which we founded right after the occupation of Metelkova in Ljubljana, where we learned how it works. In front of Pekarna occupation, we organized protest concerts in Maribor and Ptuj, where we played underground at Muršićeva. It's interesting how all these places later became sort of pop culture centres. As if they were reacting to underground movements or to protect themselves from them.

M: Were you in contact with Slovak bands, labels in the 90s?

D: Yes, of course, we always exchanged records with some of them...

M: You had an extensive publishing activity. How did you get into it? Was it the lack of interest in you in mainstream media and alternative music in general, or did you want to have more of it in your hands?

D: Both, of course. First, in the late 80s, there was interest in releasing recordings of my band CZD, shortly thereafter, I founded the underground label Front Rock and released quite a lot of top underground Polska malca, Pridigarji, Scuffy Dogs, No Border Jam compilations, which at that time was international compilations and brought incredible music information all over Europe, important was scene from the former Yugoslavia, which needed a lot of help during the war in the 90s, etc. see http://www.ljudmila.org/subkulturni-azil/

Then we started publishing books, first about the punk and underground scene and subcultures in Slovenia and the world. Soon it grew into a literary publishing house with quality Slovenian authors publish. Some have been with us for 35 years, which is incredible, and we are very proud of them and us together. Sometimes writers and musicians don't realize how important it is for a career to publish in the same publishing house because sooner or later you end up with collected works, clear compilations that you can't collect if you wander from one to the other like a butterfly or a prostitute with the "hope" of better conditions. The conditions are governed by a reciprocal relationship between them, and above all the relations are regulated by a positive and sophisticated attitude towards artistic creation, to the final product, to the artistic career, with a whole plan of what to you want to get with the whole plan of what you from your artistic work. If the artwork is just an ego trip, then you are a butterfly.

At Založba knjig (Book Publishing House) we also publish translations into Slovenian, and now also publishing some books in English and German.

M: How many of these books have you published?

D: The catalogue of Založba knjig Kulturni center Maribor currently contains approximately 450 books of all from novels to poetry, children's books, science books, comics, etc., and is still growing, half of which are currently published as e-books. Approximately 100 albums have been published; this catalogue revision will need to be collected soon.

M: Front Rock label, tell us about its history and releases.

D: Front Rock started in the mid 80's with the beginnings of CZD _ Center for Dehumanization. On the site . Front Rock's catalogue is really interesting and there's no band that has released anything in

Front Rock that hasn't had an impact in their area locally or globally, that is, regionally, or on

scene with their subgenre or the version of punk that they were performing. For example, the Delaware band, LP, which sold extremely fast in its day, a lot of the buyers were in the English underground. Pridigarji played their story in ska punk and touring with CZD around Europe. The well-known ethnoblues band Kvinton was formed on the ruins of one of the first punk bands in Slovenia, Masaker.

M. Terms such as subcultural azil, border, what do you have in common with them, what do these terms institutions do?

D: Subcultural azil was a publishing house that brought together all the subcultural publishing houses and book collections, it's the predecessor of the Maribor Cultural Centre.

M: Radio Student. How important was this radio on the independent scene in Slovenia?

D: I think it has had some influence. Although Radio Študent was always just a medium, a radio that summarised what was happening on the ground. It also tried to shape and influence the music underground, according to its own tastes, but also according to current editorial policy. Radio Student had a big influence on the beginnings of punk, in the late 70s and early 80s, although until improvements the internet, it could only be heard in Ljubljana. In Maribor, in the late 80s, we founded Mariborski radio student - MARŠ. The story with MARŠ is similar, it also did not have a significant influence on the music scene in Maribor and its surroundings. Politics influenced these two radios too much from behind. Media Independence is no longer possible in the independent scene, which is what we can expect in the central media space.

To be continued...

Svinokop - demo 2003

 

SVINOKOP - rýchly hardcore z Petrohradu. So Šarapovom-Dmitrijom Ivanovom, ich členom, som sa mal kedysi stretnúť priamo v Petrohrade, žiaľ neklaplo to vtedy, mal v ten deň iné povinnosti.

https://archive.org/details/Svinokop_Svinokop-demo-2003

VA - Анархия (Сборник Панк Рока)

 Punková výberovka z Ruska.

https://archive.org/details/va------_va------

TamTam's Live Hits - TamTam's Archives: Vol.3

Nahrávky z TaMtAm klubu.

https://archive.org/details/TamTams-Live-Hits_TamTams-Archives-Vol.3

Zdroj: TERMINAL ESCAPE blog

https://muzika-komunika.blogspot.com/2012/12/terminal-escape-escape-is-terminal.html

Mišo ŠTICH / GARÁŽ KOMBO

 

Mišo ŠTICH / GARÁŽ KOMBO - dva songy z obývačky.

https://archive.org/details/spring_202505

Mišo ŠTICH - songy z obývačky (2025)

Mišo ŠTICH - songy z obývačky.

Mišo ŠTICH - songy z obývačky

Mišo ŠTICH - Letov Cover (Егор Летов - Отряд не заметил потери бойца)

 

Song ktorý som hral na živo len raz, na koncerte venovanom spomienke Egora Letova v Prahe.

Preložil som ju do slovenčiny a zaspieval vtedy jediný raz naživo.

Teraz nedávno som ju nahral u kamoša.

Отряд не заметил потери бойца

https://archive.org/details/miso-s-tich-letov-cover

Antis – Retas Paukštis /Zona Records, Series: Lietuvos Rokas – Nr. 4, Cassette, Lithuania, 1994/

 

ANTIS - litovský rock/punk rock.

https://zonarecords.bandcamp.com/album/retas-pauk-tis

V/A "TaMtAm Live Hits" (199?) - re-up

 

Kompilácia indie kapiel a ich živákov z klubu TaMtAm.

Kedysi som to ripol na uloz.to, tam to už skapalo, tak teraz som našiel link na blogu Terminal Escape, resp. link na Internet archive.

https://archive.org/details/tamtams-live-hits

---------------------------------------------

Pozri aj: https://muzika-komunika.blogspot.com/2013/06/va-tamtam-live-hits-199.html

TaMtaM info: https://muzika-komunika.blogspot.com/2017/09/tamtam-club-hladam-nahravky-na.html

Interview w Rob/Terminal Escape blog: https://muzika-komunika.blogspot.com/2012/12/terminal-escape-escape-is-terminal.html

ZUBY NEHTY - Best of...RARITY/Best of...rarities (Indies, 2003)

 ZUBY NEHTY - výberovka. 

https://archive.org/details/zuby-nehty-cover

Info o kapele: https://www.zubynehty.cz/

Pozri/vypočuj aj: 

https://archive.org/details/zuby-nehty-utikej

https://archive.org/details/plyn-dybbuk-live

https://archive.org/details/dybbuk-live-ostrov-nad-ohri-1985