Умка in London (2001)

Ruská pesničkárka Umka v Londýne.



https://www.sendspace.com/file/1eulgb


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Russian folk/blues psychedelic acoustic music.


Mišo

Special Brigade (Riga) - Sleep well, Kobzon (1987)

Rocková skupina z 80-tych rokov z Rigy, Lotyšsko. 

Trochu niečo ako Stouni, alebo tak. 

Special brigade - 1987 Sleep well Kobzon - 

http://www.mediafire.com/?fukptemv0d3o69p 

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Rock band from Latvia, Riga.

Mišo

Pozri aj:
http://ceruzouafarbou.blogspot.com/2020/07/foto-z-vystavy-atelieru-kreat-duckbar.html

Alternatywna Alternatywa Alternatywy zine (1995)

Poľský punkový zin z polovice 90-tych rokov.

https://www.docdroid.net/t5CBe7y/aaa-nr-1-pdf


Určite pozri: http://www.zinelibrary.pl

Mišo

Foto z garáže :: 10 years after :: 2020

Včera sme sa s Maťou stretli po dlhých rokoch v garáži. Bolo fajn. 
A stvorili sme song. Oliver helfol na bubon.

Northern Haze ‎– ᓯᓈᒃᑐᖅ Sinnaktuq

Eskimácky hard rock. Dosku som kedysi získal výmenou priamo s vydavateľom reedície. 
Pôvodná LP sa už ťažko zháňa.

Tu si môžeš vypočuť prvú stranu platne:

https://supremeecho.bandcamp.com/album/northern-haze

Info:

Hailing from the 69th parallel in the Arctic is a story unlike any other. Born on the land to Nomadic parents and later settled in the hamlet community of Igloolik, these childhood friends grew up learning to play on toy instruments until becoming accomplished musicians and forming a group in 1977. Their talent won success in the early '80s with contests, press coverage, and tours of isolated Northern communities until in '85 when CBC Radio invited them to travel 3000 km south to record an album. The result became the first Canadian Inuit Rock/Metal album ever made and first Indigenous language rock album in North America. Pressed in a tiny quantity of 500 copies for promotional use only, the LP quickly disappeared into the vortex of rare Canadiana.

Over the 1990’s and into the millennium, Northern Haze endured great hardship yet 35+ years on they still prevail. In 2010, a new recording and a documentary film on the history of the group was produced on location in the Arctic. Complete with traditional “ayaya” parts and sung entirely in Inuktitut, the end result is a heavy melodic rock/metal album played by veterans of the genre with a distinctly original character unlike anything heard before. For these men who live two lives, the old ways of the past meet with those of the present; “Sinnaktuq” (their “dreams”) are truly embodied within the realization of this amazing deluxe collection of original material.

...

Info: https://www.discogs.com/artist/2671244-Northern-Haze

Mišo

African Scream Contest - Raw & Psychedelic Afro Sounds from Benin & Togo 70s

Dnes trošku niečo iné. Výber rock-beat kapiel z Beninu a Toga.

https://analogafrica.bandcamp.com/album/african-scream-contest-raw-psychedelic-afro-sounds-from-benin-togo-70s


Summer is here... so something hot is comming!

Analog Africa No.3 - AFRICAN SCREAM CONTEST
Raw & Psychedelic Afro Sounds from Benin & Togo 70s

'African Scream Contest' is the third release by the Analog Africa label. The project initially took off in August 2005 when label owner and vinyl collector Samy Ben Redjeb arrived in Cotonou, Benin, 'without any special expectations, just hoping to lay my hands on few good records - what I found in the process cannot really be described in words'. This first trip was followed by eight more to the region. Thirty months and few thousand records later Analog Africa proudly presents this 14-track compilation.

Just like with the label's first two releases - albums by Zimbabwean 70s bands the Green Arrows and Hallelujah Chicken Run Band - the essence of Analog Africa is clear yet again: searching in dusty warehouses for forgotten music to keep it alive. Ben Redjeb explains: 'Some of the track we've already released would have been lost for ever if we didn't do it. With 'African Scream Contest' this is even more the case as some of the bands and musicians were, and still are, completely unknown. Some of the tracks have not even been released and I found a lost master tape at the producer's house who decided not to release it and just left it aside.' (The compilation contains a track by Vincent Ahehehinnou & Poly-Rythmo which wasn't even released in Benin.)

All the tracks have been officially licensed, usually from the artists who Ben Redjeb also met with for detailed research. He conducted 16 interviews in various cities in Benin and Togo with artists, producers and sound engineers to reconstruct the history of the 70s music scene for the 44-page booklet which also includes many rare photographs directly received from the artists.

Like most modern music in French-speaking West African countries, the music of Benin and Togo was influenced by a few main musical currents: Cuban, Congolese and local traditional music, as well as Chanson Francaise. Additionally, the geographical location of Benin and Togo - sandwiched between Ghana and Nigeria - exposed Beninese and Togolese musicians to Highlife music.

The cultural and spiritual riches of traditional Beninese music had an immense impact on the sound of Benin's modern music. Benin is the birth place of Vodun (or, as it is known in the West, Voodoo), and some of the rhythms used during traditional rituals - Sakpata, Sato, Agbadja, Tchenkoumé and many others - were fused to Soul and Latin music as early as the mid-1960s and later to Funk. That fusion is the essence of this compilation.

In the late 60s and early 70s rock and soul music started creeping into the region. In particular, the music of James Brown and Johnny Hallyday became immensely popular with university students. It was then that the music scene in Benin really started to take off.

What made this musical revolution even more interesting is that most of the musicians could not read music. Often the music they made sounded one semi-tone away from being out of tune, but somehow they always managed to bring all the elements together into something new and exciting.

One of the greatest bands of their era, Orchestre Poly-Rythmo de Cotonou, who are of course featured on this compilation, took the Afro sound to another level by showing their musical versatility in many forms. Although they were consciously copying western artists, they would always inject a dose of psychedelic Afro grooves that would make their music unmistakably Beninese. Their biggest song, 'Gbeti Madjro' is believed to have revolutionised the music industry in Benin in the 70s when the country went through a period of political turmoil. The song is full of raw breaks and the hypnotic rhythms as well as screams à la James Brown - after this song many bands in Benin started screaming on their recordings, hence the title of this compilation.

Latin-influenced sounds are present on this compilation, too. Ouidah, a city on the Atlantic coast of Benin, is home to a large Brazilian community, or, as they are called in Benin, 'Agoudas.' Members of that community are descendents of slaves who returned from Brazil at the end of the 19th century. Their dances (such as Kaléta and Buriyanj) and songs are still being performed and fused into the traditional Beninese rituals. That, too, can be heard in modern Beninese music.

The proximity of the giant neighbour Nigeria can be heard on the track 'Djanfa Magni' which features the amazing trumpeter/ saxophonist Tidjani Koné fronting the Orchestre Poly-Rythmo. Koné whose career started in Mali as the founder and band leader of the Rail Band de Bamako, had played with Fela Kuti for a short while hence the strong Afrobeat influence.

There are countless stories to be discovered in the extremely well-researched booklet and the music is truly mind-blowing. So delve into the forgotten raw and psychedelic Afro sounds from 70s Benin and Togo and experience the African Scream Contest. 

credits

released March 17, 2008

Mastering by Nick Robbins at Soundmastering (London)
'African Scream Contest' font by Tai Elshorst (Frankfurt)
Text edited by Michael Scott (San Francisco) and Matthew Ozga (New York)
Proof reading by Banning Eyre (New York) and Peter White (Wales)
Compiled by Samy Ben Redjeb - All tracks fully licensed

Executive Producer : Samy Ben Redjeb for Analog Africa
Cat. number : Analog Africa AA063

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Keď som začínal s blogom Muzika Komunika, zachytil som okrem iného na webe zaujímavý blog Awesome tapes from Africa. Pustil som si vtedy z neho pár ripnutých kaziet, ktoré sa dali pustiť/stiahnuť, no pravdu povediac, nebol som nejako extra nadchnutý. Také všelijaké afro disco/divný-pop. Raz dávnejšie som bol na trhovisku na Djerbe, najväčšom severoafrickom ostrove a tam znela taká podobná muzika. 

No ale takéto rockovejšie/psych veci ma bavia viac. Určite sa ešte pár podobných labelov zameraných na podivuhodnú muziku zo sveta nájde, ja odporúčam ešte napríklad Sublime Frequencies. Vyskúšajte.

Mišo

Brave Punk World - The International Rock Underground from Alerta Roja to Z-Off

Hľadám túto knihu z druhej ruky za normálnu cenu.

Prípadne mám záujem o pár ofotených/oskenovaných strán pojednávajúcich o punku z Čiech, Maďarska, Poľska, Juhoslávie, Východného Nemecka a Ruska.

I am looking for this book for fair price.
Any suggestions?

Preferentially I have interest about few pages from book (photo, scans)  incl. punk from Czech, Poland, Hungary Yugoslavia, East Germany and Russia.

Mišo